{"id":52974,"date":"2024-10-06T10:03:52","date_gmt":"2024-10-06T09:03:52","guid":{"rendered":"https:\/\/serielizados.com\/?post_type=programa&p=52974"},"modified":"2025-10-16T13:56:49","modified_gmt":"2025-10-16T12:56:49","slug":"31o-miniput-muestra-de-television-de-calidad","status":"publish","type":"programa","link":"https:\/\/serielizados.com\/en\/programa\/31o-miniput-muestra-de-television-de-calidad\/","title":{"rendered":"31\u00ba Miniput – Muestra de Televisi\u00f3n de Calidad"},"content":{"rendered":"

[vc_row][vc_column][vc_custom_heading text=”This year, Miniput celebrates its 31st edition within Serielizados. 17 programs from around the world will be presented, selected from the international INPUT. Documentaries, journalistic programs, social media formats, and fiction make up a complete portrait of the current state of global television.” css=””][vc_empty_space height=”50″][vc_column_text css=””]<\/p>\n

Schedule and Screenings:<\/span><\/h2>\n

[\/vc_column_text][vc_column_text css=””]10:00
\nPRESENTATION
\n<\/span><\/strong>By V\u00edctor Sala (National coordinator of INPUT and coordinator of MINIPUT).<\/p>\n

 <\/p>\n

 <\/p>\n

10:05
\nAI ADRIAN TO THE RESCUE<\/i><\/span>
\nFinland, 12\u2019, documentary, YLE<\/strong><\/p>\n

AI Adrian, a peculiar robot made from recycled parts, arrives to help a small Finnish village after a major local company goes bankrupt. He visits people of all ages, whose reactions to his strange appearance and conflicting opinions generate both criticism and admiration. While the villagers debate whether artificial intelligence can ever save the village or replace humans, Adrian\u2019s presence helps them interact and understand each other in times of difficulty. This is a playful yet profound documentary showing how a community reacts to a crisis.<\/p>\n

 <\/p>\n

 <\/p>\n

10:20
\nSPECIAL SESSION:
\nAI ON CATALAN TELEVISION
\n<\/span><\/em><\/strong>Participants: Alan Valverde (AI graphics expert, Est\u00e0 Passant – Minoria Absoluta), Miquel Garcia (Head of Postproduction, Gestmusic – Operaci\u00f3n Triunfo), Dani Caneiro (R+D+I Content Director and Executive Producer, Alguna Pregunta), and Miquel Herrada (Head of Operations, XAL)<\/p>\n

This session reviews the use of Artificial Intelligence in some of our TV programs with the people responsible for them. Moderated by journalist Mariola Dinar\u00e8s.<\/p>\n

In collaboration with the Audiovisual Cluster of Catalonia.<\/p>\n

 <\/p>\n

 <\/p>\n

11:00
\nSPECIAL SESSION:
\nINTERNATIONAL CASE STUDY: SHAPED BY HISTORY<\/span>
\nDenmark, 28\u2019, factual, DR
\nParticipant: Lisbeth Langwadt (Head of Culture and Factuals, DR)<\/strong>
\n\u2019Fortidens hemmeligheder\u2019 is a pioneering DR program using AI tools to recreate historical conditions and the ancestors of the show\u2019s guests. An emotional factual program that uses AI tools, but in a limited way.<\/p>\n

 <\/p>\n

 <\/p>\n

11:30
\nSPECIAL SESSION:
\nAI IN PS MEDIA 2025: A BLESSING OR A CURSE? (AND JUST HOW FUCKED ARE WE?)
\n<\/span>Participant: K\u00e5re V. Poulsen (Producer and manager of interactive, cross-platform projects, DR; Consultant and producer, SVT)<\/strong>
\nIn 2025, AI is rapidly approaching human-level intelligence amid copyright battles, regulatory policies, and professional uncertainties. We didn\u2019t ask for it. Yet all public media are adapting. At the same time, questions arise: when will our daily operations become obsolete? How fun will human life be in an AI-controlled world? What kind of society do we want to live in? K\u00e5re V. Poulsen analyzes the big picture, the pros and cons of generative AI for citizens, journalists, society, and public service media.<\/p>\n

 <\/p>\n

 <\/p>\n

12:00
\nTALKING ABOUT DEMOCRACY:<\/strong><\/p>\n

FIRST CHOICE<\/i><\/span><\/strong>
\nBelgium, 48\u2019, edutainment, VRT<\/strong>
\nPresented by: a UAB student
\n<\/strong>Ahead of the 2024 Belgian elections, 150 final-year students directly question three politicians in a unique format presented by Tom Waes and journalist Pieterjan De Smedt. Each episode tackles a key topic, debating it and highlighting the political challenges it entails. The program bridges youth concerns with electoral discourse, preparing new voters to exercise their right to vote by confronting leaders face-to-face. Informative and engaging, First Choice redefines political programming by centering young voices and experiences.<\/p>\n

 <\/p>\n

 <\/p>\n

POINTER FACTCHECK<\/i><\/strong><\/span>
\nNetherlands, 6\u2019, political analysis, VRT
\n<\/strong>During a 10-day \u201cfact-checking marathon\u201d in Brussels for the 2024 European elections, Dutch and Belgian media teams verified political statements and viral influencer claims about immigration, climate, and EU institutions. Results were published daily on NPO channels and online, with short versions on social media and interactive quizzes. Pointer Factcheck showed not only what was true or false but also how conclusions were reached, giving viewers tools to recognize misinformation in real time.<\/p>\n

 <\/p>\n

 <\/p>\n

13:00
\nSPECIAL SESSION:
\nFOSTERING EMERGING TALENT IN PUBLIC TV<\/span>
\n<\/strong>Participants: Georgina Ferri (Director, betev\u00e9), Yassin Karmoudi (Coordinator, NPO Talent Fund), and Gorka Garc\u00eda Peral (Program and Artistic Director, EITB)
\nIn this session, representatives from public TV channels in Barcelona, Basque Country, and the Netherlands explain which programs they have to foster emerging talent in their productions and schedules.<\/p>\n

 <\/p>\n

 <\/p>\n

13:45
\nGENDER, INTERNET, AND EMOTION IN DOCUMENTARY FORMATS<\/span>
\nPresented by: a UPF student<\/strong><\/p>\n

 <\/p>\n

ALPHAS<\/i><\/span><\/strong>
\nCanada, 52\u2019, documentary, Tele-Quebec
\n<\/strong>In Quebec and worldwide, more and more young people embrace ideological conservatism. This investigation follows influencers inspired by Andrew Tate, examining their views on masculinity, distrust in the system, and focus on dominance and success. Listening to and contrasting all voices, the documentary asks whether reconciliation is possible. With national attention, school screenings, and over 1.5 million trailer views, Alphas breaks stereotypes by analyzing the roots of a movement redefining male identity in the digital age.<\/p>\n

 <\/p>\n

 <\/p>\n

DRAG IN ME<\/em><\/span>
\nTaiwan, 36\u2019, documentary, PTS
\n<\/strong>In this intimate debut, what begins as a filmmaker Quinn Chen\u2019s project about his queer teacher Kinky Mama evolves into a personal journey exploring his own drag identity. Facing challenges with family, partner, and society, Chen explores the intersection of masculinity, femininity, and queer identity in Taiwan, where legal progress coexists with persistent prejudice. Awarded Best Documentary at the New Taipei City Student Video Rising Star Awards and warmly received by audiences and specialized organizations, Drag in Me shows self-expression as a brave and ongoing process.<\/p>\n

 <\/p>\n

 <\/p>\n

WINGMAN<\/span><\/em>
\nDenmark, 52\u2019, documentary, DR
\n<\/strong>Jeppe, a young man with cerebral palsy, has always relied on his friends K\u00e5re and David to communicate with the world. Unable to speak, his voice has always been theirs through a shared system. Just as his friends must step aside, Jeppe is invited to give a talk in Mexico, where he will use his newfound independence and vulnerability to direct his own documentary. Sharing it, he reveals new truths to his friends, who hear his genuine voice for the first time. An emotional portrait of friendship and identity, innovatively told.<\/p>\n

 <\/p>\n

 <\/p>\n

HOKKAI DOUGA BLOCK NO. 1000<\/em><\/span>
\nJapan, 15\u2019, documentary, NHK
\n<\/strong>In the center of Sapporo, a 2,700 m\u00b2 lot called Senbanchi housed a century-old wooden building with a bar, a remnant of the area\u2019s peripheral past. Its patrons shared drinks, jokes, and life stories until it closed in March 2024 for a new apartment block. This documentary captures the voices of owners, clients, and developers, showing the final moments of the space. In the face of Hokkaido\u2019s rapid transformation, Block No. 1000 reflects on what is lost, what remains, and how memories and communities survive when physical spaces disappear.<\/p>\n

 <\/p>\n

 <\/p>\n

16:20
\nVISIBILITY AND OVERCOMING ADVERSITY<\/span>
\nPresented by: a UOC student
\n<\/strong><\/p>\n

 <\/p>\n


\nMAGIC MOVES<\/i><\/span>
\nGermany, 44\u2019, format, ZDF<\/strong>
\nAt a two-week camp in a historic castle, ten children with unilateral hemiparesis learn magic tricks under the guidance of famous magicians, supported by doctors and therapists from the University Clinic of Munich. The program explores whether magic can improve motor skills, confidence, and independence, culminating in a performance for family and friends. Magic Moves combines science, performance, and emotion to show that new therapeutic approaches can inspire hope, with magic fostering self-esteem and resilience.<\/p>\n

 <\/p>\n

 <\/p>\n

MY UNSEEN STORY<\/i><\/strong><\/span>
\nBelgium, 13\u2019, format, VRT<\/strong>
\nIn this powerful series, ten children share deeply personal experiences, from growing up with deaf parents or in foster families to their journeys as refugees. The program allows children to tell their stories in their own words and uses animation to gently visualize difficult memories, creating universal and relatable portraits. With extensive Flemish media coverage and broadcast on the adult channel VRT1, My Unseen Story emphasizes the importance of addressing sensitive topics from a child\u2019s perspective.<\/p>\n

 <\/p>\n

 <\/p>\n

17:20
\nAPPLIED INTERNET LANGUAGE<\/span><\/strong>Presented by: a UPF student
\n<\/strong><\/p>\n

 <\/p>\n


\nUNTITLED 3000<\/i><\/span>
\nGermany, 1\u2019, social media capsule, WDR-TikTok
\n<\/strong>This TikTok channel brings art to young audiences unfamiliar with the classical canon, offering fun, strange, or fictional anecdotes that disguise artistic education as pure entertainment. A bread-crust-shaped mascot, \u201cKnust,\u201d stars in surreal adventures through art history with a playful and irreverent tone. Prioritizing brief, engaging impact, Untitled 3000 successfully opens the door to art appreciation, showing that humor and accessibility can spark curiosity where formal education may not.<\/p>\n

 <\/p>\n

 <\/p>\n

RAMADAN BITES<\/span><\/em>
\nNetherlands, 6\u2019, social media capsule, NPO
\n<\/strong>During Ramadan, this digital comedy channel offers daily sketches, stand-up, musical parodies, and collaborations with influencers from the Islamic community. Broadcast on TikTok, Instagram, and WhatsApp, it reaches a massive and loyal audience: 8 million TikTok views, 5.8 million unique visitors, and strong re-engagement. Created by a predominantly Muslim team, Ramadan Bites combines humor, cultural relevance, and community spirit, celebrating faith and coexistence through over 100 short videos.<\/p>\n

 <\/p>\n

 <\/p>\n

ALHARICH_S01<\/span><\/em>
\nFinland, 20\u2019, format, YLE
\n<\/strong>Presented by charismatic YouTuber Alharith Obaid, this documentary series connects with Finnish youth through candid conversations on topics like addictions, national defense, and rural life. With a direct, humble, and non-judgmental style, Alharith gives voice to overlooked generations and groups, fostering dialogue and community. The series, highly focused on its target audience, achieved nearly five million views and changed perceptions of Yleisradio among some critical viewers.<\/p>\n

 <\/p>\n

 <\/p>\n

18:00
\nPOUR UNE FOIS (FOR ONCE)<\/i><\/span>
\nCanada, 45\u2019, interviews, T\u00e9l\u00e9-Qu\u00e9bec
\n<\/strong>Breaking the talk-show mold, For Once invites ordinary people in Canadian media to converse unscripted with interviewers who have a personal connection to them (friends, colleagues, admirers). Without a preset structure, the format creates intimate, spontaneous exchanges in which guests reveal more than ever, through laughter and tears. Prioritizing authenticity over self-promotion, the program offers unique human connections on screen, making each encounter a genuine emotional journey.<\/p>\n

 <\/p>\n

 <\/p>\n

18:20
\nLET\u2019S TALK ABOUT IT!<\/i><\/span>
\nJapan, 29\u2019, format, NHK
\n<\/strong>This playful and informative program explores sexuality from historical, cultural, and biological perspectives, combining lively studio debates (between host Saaya and a condom-shaped puppet) with educational videos, making delicate topics accessible and fun. The episode on nudity compares global attitudes, from ancient Greece to Japanese norms, revealing surprising curiosities. The one on female genitals mixes biological facts, such as hyena anatomy or sperm storage in ants, with self-care advice.<\/p>\n

 <\/p>\n

 <\/p>\n

18:45
\nTHE BLACK SWAN<\/i><\/span>
\nDenmark, 58\u2019, documentary series, TV2 Denmark \/ NRK Norway
\nPost-screening conversation with Mads Br\u00fcgger, director
\nInterviewed by journalist Samanta Villar<\/strong><\/p>\n

 <\/p>\n

Former criminal lawyer Amira Smajic teams up with filmmaker Mads Br\u00fcgger to infiltrate the Danish organized crime world, converting her former consultancy office into a trap with hidden cameras. For months, they film gangsters, corrupt professionals, and money laundering schemes, but the investigation takes a twist when Amira deceives the journalists themselves. Becoming Denmark\u2019s most-watched documentary, The Black Swan is both a tense portrait of organized crime and a reflection on betrayal and the limits of journalism.<\/p>\n

 <\/p>\n

20:00
\nCHANGING ROOMS (VESTIAIRES)<\/i><\/span>
\nCanada, 23\u2019, fiction series, AMI and Radio-Canada
\n<\/strong>Set in a swimming club for people with disabilities, this comedy follows a diverse group, from a romantic with vision problems to a young woman with Tourette\u2019s, all facing challenges with humor and camaraderie. Between jokes, awkward situations, and personal triumphs, the locker room becomes a space for coexistence and acceptance. With likable characters and a sharp tone, Changing Rooms celebrates diversity, resilience, and the joy of finding a place to belong.<\/p>\n

 <\/p>\n

 <\/p>\n

20:30
\nLOS A\u00d1OS HERIDOS<\/i><\/span>
\nMexico, 74\u2019, fiction miniseries, Canal Once, Capital 21, Canal 22
\nConversation with Fritz Glockner, creator and author of the original book, Sergio Mu\u00f1oz, producer
\nInterviewed by screenwriter Carmen Fern\u00e1ndez<\/strong><\/p>\n

Historian Ana Laura discovers her family\u2019s dark past as the granddaughter of a baby kidnapped during Mexico\u2019s Dirty War. Mixing fiction, archives, and testimonies, the series revisits state repression against dissidents from the 1950s to 1980s: kidnappings, torture, and disappearances. As the danger rises, Ana Laura wonders if some truths are too risky to reveal. Based on real events, Los a\u00f1os heridos exposes a story often out of the public eye.[\/vc_column_text][vc_empty_space height=”40″][vc_single_image image=”52970″ img_size=”full” css=””][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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